Friday,March 4, 20223 p.m.
Saturday,March 5, 202211 a.m.

Théâtre Outremont
1248 Bernard Avenue West
Montréal (Québec) H2V 2V6
Phone: 514-495-9944, ext. #1



Théâtre Magasin (Montréal)

All audiences, 5 years +

🎟️  Tickets for March 4th at 3 p.m.

🎟️  Tickets for March 5th at 11 a.m.

The show you had in mind is sold out? Try your luck at the door!
Arrive early. If reserved tickets are cancelled at the last minute, we will gladly to put them up for sale.


In French


Summer is back at Lake Bellevue. In his snack bar, the Potato King is expecting his first customer of the season. In the small cottage on the other side of the lake, a late-night poet is writing the first words of a story. Inspired by the smell of French fries, he makes the Potato King the hero of his story. And then, up he goes! Swept away by the winds of inspiration, he is carried off into the night and lands on a foggy island where a very bad-mannered King of Flies lives. 


Running time: 55 minutes

Techniques: 2D puppets, table puppets, and video animation





Théâtre Magasin has established itself in the uncanny realms of poetry. It creates quality popular theatre that combines humour and aesthetic experience. Its works are adventures of the mind, where laughter and fear intersect in a highly musical writing style.

Under the direction of Joël da Silva, a well-known figure in contemporary youth theatre, the company approaches playwriting like a handicraft project, where words, music, and objects come together to create a whole. For over twenty years, their works have appealed to both adults and children. The memorable Temps des muffins and other productions have toured in Québec, Canada, and France.


Story, stage direction, and scenography: Joël da Silva

Puppets: Claude Rodrigue, Colin St-Cyr Duhamel, Sandra Turgeon, and Violette Guerlotté

Sound design: Michel Robidoux

Lighting: Nancy Longchamp

Performance: Jean-François Beauvais and Antoni Castonguay


Théâtre Magasin gratefully acknowledges the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal, and the maison de la culture Marie-Uguay for their support.